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[1375544797] Animation Appreciation thread #17

Anonymous Sun 04 Aug 2013 21:34:00 No.9489 Report

Quoted By:

So, did Anno do animation in Kaze Tachinu in the end or not? Were those rumors about him being a voice actor from the start?

Anonymous

62

Anonymous Sun 04 Aug 2013 21:52:00 No.9490 Report

Quoted By:

>>56

only other Japanese animation production company that keeps a certain number of full-time people on its payroll is Khara Inc.

カラー

所属アニメーター：庵野秀明　貞本義行　摩砂雪　鶴巻和哉　本田雄　松原秀典　田中達也

妖夢 (youmu: dreamghast) - this term describes entities like Akihito's father and the utsuro-no-kage (to be explained in a later blog post). They are, of course, the creatures against which xenors fight. Character-by-character, 妖夢 is supernatural/strange-dream. 妖 appears in words like 妖怪 youkai (roughly, ghost/spirit/apparition). The morpheme-wise decomposition should be obvious.

>>209
Dayum, new battle scenes and a new lite episode too.

Anonymous

215

Anonymous Sat 10 Aug 2013 12:31:00 No.9654 Report

Quoted By:

>>212
http://otakumode.com/news/51f22d9338602138660002ee/Answering-Fans-rsquo-Wishes-with-Kickstarter-Studio-Trigger-ldquo-Little-Witch-Academia-2-rdquo-Interview-3-3

 I am not going to deny that there are other methods of creating an anime, such as taking a market survey, decide what topic is hot, and then go into production. However, we at studio TRIGGER do not use that method. We want to make an anime that we ourselves enjoy

>>369
The more hype I get, the more I will be disappointed if his work doesn't fulfill my expectations.

Anonymous

372

Anonymous Mon 12 Aug 2013 17:45:00 No.9812 Report

Quoted By:

>>371
Here is some more hype for you.

Yutaka Nakamura about Bahi's Space Dandy cuts:

バヒ君の作画、ものすごいことになってるので、そちらも是非、楽しみにしててください！

>>437

I have to say it's a bit difficult to write without any questions, so if anyone has any specific questions please feel free to leave a comment or send me a tweet

Aplix, parent company of AIC, is planning changes in their anime production process to cut the production period to 3 months, one third of the normal period, and the production costs to 1000000 yen, a fraction of the current cost.

They intend to do this by centralizing all of the production, including after recording and distribution, to their company, and assigning groups of around 3 animators for a specific character's animation, instead of the current system of assigning individual animators by cut.

They expect this lowered cost will convince companies to advertise through anime. A 13 episode TV series created under this system is planned to begin airing by September.

https://www.youtube.com/watch?v=8XgyrnGSwZM

2013 June sakuga MAD 2

Anonymous

555

Anonymous Tue 20 Aug 2013 20:11:00 No.10004 Report

Quoted By:

http://bahijd.tumblr.com/post/58790294272/im-working-on-a-new-anime-called-space-dandy

For me personally, it’s a project where I have complete artistic freedom and full control over my scenes, crazy fun animating for Space☆Dandy!

Hayao Miyazaki about karisuma animators

Eventually, the scenes you animated start to stick out from the other sequences, standing apart for how much more lively and individualistic they look and feel. People start to be able to guess what part you did. Your courage starts to build. Usually with this kind of animator, the characters are way off model. Even if he drew the character designs, they're still way off model. You start to notice that, even when you think you drew a character close enough to model, for some reason other people seem to think it's way off. But you don't let it get you down.

Anonymous

670

Anonymous Sat 24 Aug 2013 06:05:00 No.10120 Report

Quoted By:

>>668

Hironori Tanaka handled the effects animation in today's Gatchaman Crowds ep. KA:Hiroaki Imaki, Yasuyuki Kai, Kazuhiro Miwa, Yutaka Kamogawa

>>750
He said that?

Anonymous

753

Anonymous Wed 28 Aug 2013 16:27:00 No.10209 Report

Quoted By:

>>752
>>751

Little Witch Academia I watched already a while back, actually. I guess it was one of the few things I couldn't resist watching because everyone was talking about it, and, well, it's Yoshinari. I had to see that. Most impressive technically, there is no denying that. But the story and tone didn't do much for me. I would have liked something a little edgier and darker and not so conventionally cutesy and whimsical. Tweeny Witches comes to mind as the sort of thing I would have preferred.

>>903

Kanada style animation nowadays is just like "cartoon network's" new series (if Adventure Time isn't animated like shit, I don't know what is - fucking full animation as in full of shit), a copy of a copy made by a shithead who has no fucking clue what he's doing.

Might be related.
Miyazaki on Kanada:

The work of a great animator can only be drawn by that animator. Every element of a piece of animation - in other words, the technique providing the foundation for that piece of animation - is the product of the innate sensibility of that particular animator, which is something unique to that animator.

Very few animators have a firm grasp of how weight, momentum and acceleration affect the properties of objects, and are able to instinctively visualize in their heads how a movement might play out in space. Even fewer are able to not only do this, but go beyond logic, integrating physics with instinct to create animation that can't be explained but that simply works in the eyes of the viewers. The ability to create animation that works comes from first achieving mastery of how the laws of physics such as weight and momentum work, and then going beyond those rules - saying to yourself, "Drawing it this way would feel better", and drawing it based on that feeling. It's a mistake to think that his style can be mimicked simply by surface imitation of his crazy poses and rough drawings.

Anonymous

Anonymous Sun 01 Sep 2013 02:15:00 No.10434 Report

Quoted By:

>>965
>>968

He is right about everything

I found some stuff from 2010 and 2011

Source: Anipages
http://www.pelleas.net/aniTOP/index.php/recent_viewing_3

Desuran started on those Zettai Karen Children directed by ahoboy. Ahoboy was looking for young animators so he launched the abe48 contest to look for some. They just had to send in a short clip of animation which were online on his HP (too bad it's down). There was 4 winners selected by Akira Amemiya & one animation producer i don't remember the name. The prize was working on ZKC as key animator.

Source: Anipages
http://www.pelleas.net/aniTOP/index.php/anipages-on-twitter

So I contacted Desuran (Keisuke Kojima), and surprisingly he was in contact with ALL the current young animators...so he kinda put me into this group of people through Skype & Twitter.

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[1375544797] Animation Appreciation thread #17