“The three-act monomythic model of narrative structure reflects neither real life experience nor many of the world?s great dramatic stories, because personal redemption and restoration are seen as more significant than events, and motives more important than actions.” Discuss this claim in relation to at least two of these performance texts: Othello, O, Jindabyne, Adaptation, The Social Network.
WHO ELSE THINKS THIS IS A STUPID FUCKING ESSAY QUESTION THAT WILL BE SHIT FUCKED TO BACK UP WITH REFEREED JOURNAL ACRTICLES?

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